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INSTALLATION VIEWS
JUNG RAN BAE
LET
THEM EAT CAKE
OCTOBER 6 - 27, 2005
Project "Cu"
The prefix "cu" is one of the oldest enunciations
in recorded language. It is found in words that are quintessentially
associated with femininity, such as "cow" (female
animal), and "queen" (female monarch). My cultural experience with language inspired this project.
As a foreigner with
English as a second language, I not only had to constantly
learn new vocabularies, but also the nuance and the cultural
background of these new vocabularies to fully understand
their meanings. I also had to learn about slang. Initially,
I didn't have much sense of slang, so I had the emotional
freedom to derive my own impressions. Some slang I found
to be unpleasant, while others I found to be witty or
humorous. I often find my impressions of most English
slang are different from those who grew up in western
culture, which conversely I strongly feel is the same
case when it comes to westerners and the slang of my language. For me, the most natural word for the female genitalia
is "yoni." In Sanskrit, "yoni" is
defined as "origin" or "source". In
that culture, women have long been regarded as an embodiment
of divine feminine energy. The female genital is honored as the
sacred symbol of the great goddess, mother-nature, and
the source of all. In contrast with eastern and ancient culture, most slang of the female
genital in western culture has a pornographic and/or derogatory
connotation. Therefore, the objective of this project
is to express my personal perspective of certain slang of the female genital by
bringing to light some of their inherent obscurities through
humor and beauty. Part of my motivation for this project also comes from my personal
process to liberate myself from the cultural conditioning
I received while growing up in my country about sexuality.
In my research, I have discovered about 250 slang for
the female genitalia of which I selected 35 to visualize.
This is the first batch of installation, out of a series,
that I plan to create.
Still
My collection of dead insects started in 1992. On one
particular day around that time, I remember watching a
bee buzzing around a window. The bee seemed to be trying
to find its way out through the window glass. At that
moment, the thought of searching for direction came to
mind, and I wondered if it was a part of this bee's nature
to search, or if it was just a reflection of the personal
inquiries I carried around during that period of my life.
I opened the window fully with the hope that it will find
its way back out to nature. A couple of days later, I
find the dead bee on the floor. I picked it up and put
it on the window sill. After two years of collecting dead
insects from my home
without putting much thought into it, I began to assign
each insect with an obituary from the same date that I
discovered and collected each dead insect. In the sense
of the universe, our concern of everyday life seems insignificant.
In our world, an insect's life also seems insignificant.
Although there is a contrast between the two, at the same time, there is a relevant similarity. Throughout the 12
year process of working on this project, I have came across
reflections of my emotions that are both positive and
negative. I have experienced impatience, greed, possessiveness
as well as attentiveness and care (with delicate materials),
and level of dedication and perseverance. My hope is for
the viewers of this work to be able to stop for a moment,
and allow themselves the opportunity to honor all the
creatures of their birth, life and peaceful rest and our
own.
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